Sony Alpha 7S II | Blu Strategic Services - Rental
Blackmagic Cinema 4k | Blu Strategic Services - Rental

Blackmagic Cinema 4k | Blu Strategic Services - Rental

BLACKMAGIC CINEMA 4K
Introducing the world’s smallest digital film cameras with an incredibly strong design, the Blackmagic Cinema 4k. Blackmagic Cinema Cameras feature wide dynamic range for shooting true digital film combined with precision PL, EF and MFT mount optics and high quality RAW and ProRes file recording. The built in touchscreen lets you monitor, change settings, display audio and exposure metering and enter metadata directly on the camera! You can choose from models with two different types of cinematic image sensors and three different types of lens mounts such as PL, EF or MFT, depending on your needs.
If you need higher resolution, global shutter and a more creative depth of field then the Blackmagic Production Camera 4K models feature a large Super 35 size sensor and professional PL or EF lens mounts, so is the perfect choice. You get incredible Ultra HD images with 12 stops of dynamic range for feature film quality shooting. The minimal crop factor lets you shoot with super wide angle lenses so you get images that are big and beautiful, plus have the dynamic range to capture highlight and shadow details far beyond that of any traditional video camera.

Blackmagic Cinema 4K | Blu Strategic Services - Rental

Work with wide dynamic range RAW images for unlimited creative grading options.
Recording RAW images gives you more detail in the highlights and shadows than traditional video cameras because you have access to all of the data captured by the cameras’ imaging sensor. And with DaVinci Resolve’s amazing non-destructive RAW controls, you can access all of that data to recover highlights, adjust white balance, exposure and more! Working in RAW also gives you the advantage of being able to read your RAW files at higher quality when new updates of software with improved de-bayer algorithms are released in the future! Working in RAW is similar to how older film stock can be scanned on newer scanners for improved image quality!

Metadata entry allows post production media management.
Entering metadata on set means you can spend more time cutting and less time logging footage when editing! You can enter slate information, like scene, shot and take numbers, using the built in 5” LCD touchscreen. The slate numbers increment automatically so you can keep shooting. Camera metadata is compatible with leading editing software and is fully searchable so you can spend more time editing, and less time sorting through footage

Connections for monitoring, audio, Thunderbolt and more.
With all connections conveniently located on one side under a protective rubber hood, you get resistance to dirt, sand and grime getting into the connections. You get a standard BNC connection for location monitoring and you can select to include overlays so your crew can monitor camera settings. Also included are ¼” audio inputs for mic/line level recording, a 3.5mm headphone jack, LANC control port and a Thunderbolt port for technical monitoring using a local computer and the included UltraScope software for Mac and Windows. You can also use Thunderbolt for live camera feeds into DaVinci Resolve for live grading.

The built in LCD monitor is more than a viewfinder.
The heart of the design is the built in 5 inch touchscreen that’s as easy to use as typing on your smartphone! You can frame shots, view histogram and audio meters on the heads up display as well as change camera settings and enter metadata all on the built in screen. You can also control other camera features via the touchscreen such as double tapping the screen to zoom into the image for easy focus, and swiping up and down controls for the “heads up display” that shows histogram, time remaining and audio level meters so you can get perfect exposure and audio levels! The status strip displays transport status, shutter, aperture, ISO, battery and more.

DESCRIPTION
The world’s smallest super wide dynamic range PL mount 4K digital film camera features cinematic Super 35 sized sensor with global shutter. Includes 12 stops of dynamic range, built in 4K RAW and ProRes SSD recorder, touch screen with metadata entry, strong machined aluminum chassis and more. Includes DaVinci Resolve Studio software for a complete solution for shooting, editing, color correcting and finishing 4K digital film.

CAMERA FEATURES
Sensor Size: 22mm x 11.88mm (Super 35)
RAW Resolution: 12-bit RAW files recorded at 4000 x 2160
Shooting Resolutions: 4K RAW at 4000 x 2160. ProRes at 3840 x 2160 and 1920 x 1080
Frame Rates: 4K RAW at 4000 x 2160p 23.98, 24, 25, 29.97, 30
Ultra HD 2160p23.98, 24, 25, 29.97, 30
HD 1080p23.98, 24, 25, 29.97, 30
Dynamic Range: 12 stops
Focus: Focus button turns on peaking
Iris Control: Compatible with manually operated PL mount lens
Lens Mount: PL mount for manually operated lens with manual iris control
Screen Dimensions: 5” and 800 x 480 resolution
Screen Type: Integrated LCD capacitive touchscreen
Metadata Support: Automatic camera data and user data such as shot number, filenames, and keywords
Controls: Onscreen touch menus and physical buttons for recording and transport control
Microphone: Integrated mono microphone
Speaker: Integrated mono speaker
Mounting Options: 3 x 1/4”-20 UNC thread mounting points on top of camera. 1 x 1/4”-20 UNC thread tripod mount with locator pin

CONNECTIONS
SDI Video Output: 1 x 6G-SDI 10-bit 4:2:2 with choice of Film or Video dynamic range
Analog Audio Input: 2 x 1/4” jacks for professional balanced analog audio, switchable between mic and line levels
Analog Audio Output: 1 x 3.5mm stereo headphone output
SDI Audio Output: 2 channels 48 kHz and 24-bit
Remote Control: 1 x 2.5mm LANC for Record Start and Stop
Computer Interface: Thunderbolt port for waveform monitoring of 1080 HD video, and capture of Ultra HD and 1080 HD video
USB 2.0 Mini-B port for software updates and configuration

STORAGE FEATURES
Storage Type: Removable 2.5” SSD
Storage Format: Mac OS Extended or exFAT format. SSDs can be formatted in camera, or on any Mac or Windows computer. Formatting in camera recommended
Storage Rates: 4000 x 2160
CinemaDNG RAW - 265 MB/s 3840 x 2160
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s 1920 x 1080
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Storage rates based on 30 frames per second.

Recording Formats
Lossless CinemaDNG RAW with film dynamic range at 4000 x 2160. Apple ProRes 422 HQ, ProRes 422, ProRes 422 LT and ProRes 422 Proxy at 3840 x 2160 and 1920 x 1080 10-bit YUV with either film or video dynamic range

STANDARDS
SDI Compliance: SMPTE 292M, SMPTE 424M Level B , Draft SMPTE 2081-1
SDI Audio Sampling: 48 kHz and 24-bit

SOFWARE
Software Included: DaVinci Resolve Studio grading software including Resolve USB dongle for Mac OS X and Windows
Blackmagic Camera Setup for Mac OS X and Windows
Blackmagic UltraScope
Blackmagic Media Express software
Disk Speed Test.

Software Applications: DaVinci Resolve, Fusion, Final Cut Pro X, Premiere Pro CC, After Effects CC, Photoshop CC, Pro Tools, UltraScope, Media Express, Disk Speed Test